The Novoflex Balpro T/S tilt/shift bellows introduces exciting new possibilities for passionate architecture and nature photographers. This innovative bellows system enhances Novoflex's extensive range of premium bellows solutions. Building on the versatile Novoflex Balpro 1 universal bellows, the Balpro T/S now offers a highly capable tilt/shift system compatible with cameras up to the 6x7 cm format. Please note that lens heads and camera adapters must be purchased separately, depending on your specific camera and lens combination.
- Versatile Compatibility: Supports nearly all 35mm and medium format lenses and cameras, accommodating formats up to 6x7 cm.
- Precise Adjustments: Offers 26mm horizontal movement and 15° rotation in both directions for fine-tuned tilt and shift.
- Dual Tilt/Shift Functions: Adjustments are available on both the front and rear sections, enabling exceptional control over focus and perspective.
- Professional Quality: Complements Novoflex’s high-end bellows range, providing unmatched precision and functionality.
Versatility for Formats up to 6x7
The system provides nearly limitless compatibility, accommodating almost all 35mm and medium format lenses, as well as specialized lenses, with most 35mm and many medium format cameras up to a 6x7 cm format.
Tilt & Shift Capabilities
The bellows feature 26mm horizontal adjustments, with 15° rotation to the left and right. Both the front and rear sections support tilt and shift functions. In the standard shooting position, the system allows precise photography using the Scheimpflug principle. By rotating the bellows 90° into portrait orientation, it becomes easy to correct converging lines, ideal for architectural shots.
Technical specifications
- Length: 200 mm
- Width: 120 mm
- Heigth: 185 mm
- Weight: 975 g
- Minimum extension: 30 mm + adapters
- Maximum extension: 170 mm + adapters
Instructions for using the Tilt/Shift adjustment on the BALPRO-T/S
The possibilities of tilt/shift adjustment depend on the bellows extension. When the bellows are fully retracted, no tilting or shifting is possible. Two factors play a crucial role: the flange focal distance and the focal length.
Regarding the flange focal distance, two categories are distinguished:
A: Enlarging or large format camera lenses (such as Schneider Pyrite, Componon, etc., or Rodenstock Rodagon, Sironar, etc.), and
B: Camera-specific lenses, for example, from Canon, Nikon, etc.
For lenses in category A
The focal length usually corresponds to the flange focal distance. This means that for a 90mm lens, when focused to infinity, the distance from the lens to the sensor is 90mm. Consequently, the bellows device and the corresponding adapters must fit in between. At a reproduction ratio of 1:1, the distance is doubled, allowing for correspondingly larger adjustment possibilities.
Lenses in category B
Regardless of focal length, always have the same camera-specific flange focal distance. For example, for Nikon Z-series mirrorless cameras, this distance is 16mm. It is evident that such lenses cannot be focused to infinity on the bellows, but they can still be very good for macro photography with bellows, depending on the lens construction.
A special case is the lenses of the Mamiya RB and RZ series, with a flange focal distance of 111mm (RB) or 108mm (RZ), which is sufficient to focus to infinity with the bellows. However, in this position, depending on the connected camera, the bellows are fully retracted, making no tilt or shift movement possible.
Due to their design, traditional SLR cameras (such as Canon EF, Nikon F, etc.) have the greatest distance from the bellows back to the sensor. With mirrorless camera systems and the associated 20-30mm shorter flange focal distances on the camera side, the conditions become significantly more favorable.
Using a Nikon Z with the NIKZA-K adapter and a Mamiya RZ lens results in a bellows extension of approximately 38mm at infinity, providing sufficient space for all adjustments. When maximally adjusted, the bellows may be heavily deformed, so this should not be done too frequently, although it is possible.
Conditions are even more favorable, for example, with a Fujifilm GFX camera and Mamiya lenses. Here, the pure bellows extension is approximately 50mm, providing ample space for adjustments. In close-up situations, the conditions are more favorable since the bellows extension, as mentioned above, is larger.